GIULIA METERANGELIS
fashion stylist and art director

GIULIA METERANGELIS

was born in Rome, she moved to Milan to finish her studies in interior design. Thanks to this training, she developed an interest in materials, shapes and colours. She later obtained a master's degree in Fashion Styling, which enabled her to pursue a career as a lecturer in a fashion academy and at the same time as a stylist for international magazines and brands.
"My works are never banal, I like to amaze those who look at my images. I like to mix different styles and create a seemingly random style"

In addition to travelling, music and the underground scene, her passion is searching and collecting vintage clothes and accessories.

She currently living between Milan and Paris.

CLIENTS

Cycle Jeans, Woolrich, Sergio Rossi, Pollini, AGL, My Theresa, Zalando, The Kooples, Pence 1979, Ghazal Paris, Rinascente Milano, Yamamay, KIKO Milano, Wycon Cosmetics, Collistar.

Vogue Portugal, Vogue.it, L' Officiel UA, Numero Russia, The Greatest, Vulture magazine, Jane by the Gray Attic, Blanc magazine, Lampoon, NSS Magazine, NR magazine, Commons & Sense.

Random Styling a project by Giulia Meterangelis

Random Styling is a styling exercise with my creativity born to mix the rules of the fashion system.

Inspirations come from anything: a movie, a book, an old photo, your own cultural background or simply from the catwalks. The stylist is the spokesperson of h** inspirations that in the photo shoots h* translates into images, choosing the trends of the moment, the coolest designer to follow and the accessories and clothes to buy next season. With Random Styling instead my looks will be created by relying on chance.


I have written on some papers different trends and styles born from socio-cultural movements that fashion has made its own and I have drawn three of them. With these three trends I create three looks that contain them all together. The result is random but at the same time unique, I put myself in the game by combining styles that apparently have nothing to do with each other and I also evade stylistic and bureaucratic stakes that fashion often imposes. 
I like to think of fashion as a random concept where the intention is random but the result is considered.


On my website you find four experiments I did with four different photographers, with vintage clothes or clothes from my personal archive. My goal is to propose this method to fashion and art magazines and to realize real shooting using luxury and emerging brands. 



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